https://en.wikipedia.org/wiki/Grenoble
格勒諾布爾學院
「格勒諾布爾學院地域遼闊,地理環境多樣:鄉村、山區與人口稠密的城市中心交替分佈,包括五個人口超過10萬的大都市區:格勒諾布爾、安納西、尚貝裡、瓦朗斯和安納馬斯盆地。從薩瓦省到阿爾代什省,途經德龍省普羅旺斯省和天納厚,學院獨得的自然條件。
考爾德基金會
2小時 ·
在1962年發表的一篇訪談中,凱瑟琳·庫問考爾德對委託創作有何感想。 「它們給了我一個機會去完成一些體積相當大的作品,」這位藝術家回答。 「我不介意為某個特定地點規劃作品。我發現,我做的任何作品,如果是為某個特定地點而作,都會更成功。」紀念碑式的穩定雕塑《La Cornue》由格勒諾布爾學院於1974年委託創作,至今仍矗立在它原定的創作地點。
更多資訊:https://tinyurl.com/2fkhenkr
[圖:《La Cornue 反駁》(1974年),金屬板、螺栓和油漆。 © 2025 考爾德基金會,紐約/藝術家權利協會(ARS),紐約]
In an interview published in 1962, Katharine Kuh asked Calder how he felt about commissions. “They give me a chance to undertake something of a considerable size,” the artist replied. “I don’t mind planning a work for a given place. I find that everything I do, if it is made for a particular spot, is more successful.” The monumental stabile La Cornue was commissioned by the Académie de Grenoble in 1974 and still stands in the spot for which it was intended.
For more information: https://tinyurl.com/2fkhenkr
[Image: La Cornue (1974), sheet metal, bolts, and paint. © 2025 Calder Foundation, New York / Artists Rights Society (ARS), New York]
In an interview published in 1962, Katharine Kuh asked Calder how he felt about commissions. “They give me a chance to undertake something of a considerable size,” the artist replied. “I don’t mind planning a work for a given place. I find that everything I do, if it is made for a particular spot, is more successful.” The monumental stabile La Cornue was commissioned by the Académie de Grenoble in 1974 and still stands in the spot for which it was intended.
For more information: https://tinyurl.com/2fkhenkr
[Image: La Cornue (1974), sheet metal, bolts, and paint. © 2025 Calder Foundation, New York / Artists Rights Society (ARS), New York]